Born in Victoria, British Columbia, Melanie Daniel’s psychedelic, unnatural palette, dense areas of vibrating pattern, and skewed perspectives underscore an uncanny relationship between the subjects and their environment. Drawing heavily from the Canadian landscape and her great appetite for the history and language of painting, the landscapes are interjected with areas of delicate stains and washes contrasted with passages of abstract impasto and intricate patterns to achieve a buzzing visual ecosystem. Daniel’s big and strangely beautiful works are cautionary yet hopeful. Glimpses of hybrid artificial intelligence which combines the brilliance of the human mind with innovative technology is quietly embedded in many of these landscapes. They show the power of nature, as plants and flowers intermingle with specters and shadows and threaten to overrun the canvas and envelop the human presence.