Skip to content

PICTURA | MONTREAL | ANTONIETTA GRASSI | CHROMA CODE | NOVEMBER 11 TO DECEMBER 16, 2023

November 11 – December 11, 2023

ANTONIETTA GRASSI | CHROMATOPIA | OIL, ACRYLIC, INK ON BELGIAN LINEN | 80 X 84 INCHES | 2023

ANTONIETTA GRASSI | CHROMATOPIA | OIL, ACRYLIC, INK ON BELGIAN LINEN | 80 X 84 INCHES | 2023

ANTONIETTA GRASSI | CHROMATOPIA SIMULATION | OIL, ACRYLIC, INK ON LINEN | 84 X 84 INCHES | 2023

ANTONIETTA GRASSI | CHROMATOPIA SIMULATION | OIL, ACRYLIC, INK ON LINEN | 84 X 84 INCHES | 2023

ANTONIETTA GRASSI | SUNSET CHROMACODE NO. 2 | OIL, ACRYLIC, INK ON BELGIAN LINEN | 37 X 45 INCHES | 2023

ANTONIETTA GRASSI | SUNSET CHROMACODE NO. 2 | OIL, ACRYLIC, INK ON BELGIAN LINEN | 37 X 45 INCHES | 2023

ANTONIETTA GRASSI | SUNSET CHROMACODE NO.  | OIL, ACRYLIC, INK ON BELGIAN LINEN | 37 X 45 INCHES | 2023

ANTONIETTA GRASSI | SUNSET CHROMACODE NO.  | OIL, ACRYLIC, INK ON BELGIAN LINEN | 37 X 45 INCHES | 2023

ANTONIETTA GRASSI | SUNSET CHROMACODE NO.  | OIL, ACRYLIC, INK ON BELGIAN LINEN | 37 X 45 INCHES | 2023

ANTONIETTA GRASSI | SUNSET CHROMACODE NO.  | OIL, ACRYLIC, INK ON BELGIAN LINEN | 37 X 45 INCHES | 2023

ANTONIETTA GRASSI | SUNSET CHROMACODE NO.  | OIL, ACRYLIC, INK ON BELGIAN LINEN | 37 X 45 INCHES | 2023

ANTONIETTA GRASSI | SUNSET CHROMACODE NO.  | OIL, ACRYLIC, INK ON BELGIAN LINEN | 37 X 45 INCHES | 2023

ANTONIETTA GRASSI | ZIP NO. 5 | OIL, ACRYLIC, INK ON LINEN | 56 X 56 INCHES | 2023

ANTONIETTA GRASSI | ZIP NO. 5 | OIL, ACRYLIC, INK ON LINEN | 56 X 56 INCHES | 2023

NOVEMBER 11 TO DECEMBER 16, 2023

PATRICK MIKHAIL in Montréal is pleased to present CHROMA CODE, an exhibition of new works by ANTONIETTA GRASSI.

The project is part of Patrick Mikhail’s featured exhibitions during the Montreal-wide PICTURA painting biennale,

which is dedicated to the presentation of contemporary painting.

 

CHROMA CODE is the result of Antonietta Grassi's latest work, which was created during her residency at the Ragdale Foundation in Lake Forest Illinois in the summer of 2023. Grassi's work underwent a shift in color and composition, becoming more muted and distilled. This change reflects the influence of the surrounding landscape and the Arts and Crafts architecture of the residency. The serene prairie landscape (the last one to survive in Illinois) and the foundation's architecture inspired her to explore the relationship between nature and her meditative work process. She continues to explore themes related to women's work and technology in her art, delving deeper into her subject. The influence of her surroundings, alongside her intrinsic connection to the history of women's roles in technology and textiles, continues to inform her evolving artistic vision. Her paintings are a tapestry of interconnected narratives, weaving together inspiration from the natural and technological worlds that resonate with life and emotion.

 

STATEMENT

I paint distorted geometric forms in a nuanced and layered color palette as a  way to explore color, shape and light and how they inform our notions of space and memory. Perhaps no memory being stronger than that associated with one's childhood home, my paintings reflect an emotional space that has been shaped by these memories and the passage of time. Having lost both of my parents within a short time frame, I was confronted with the task of emptying my childhood home of its possessions. The psychological and physical impact of facing this process led me to explore fragments of deconstructed and nonsensical space through hollowed cubes, skewed geometric, translucent shapes, and threadlike lines that connect them all . What was once a home was transformed into a disembodied shell filled with a flurry of emotions, symbolizing acts of removing, dismantling, discarding, detaching, remembering, and forgetting. My work reflects how these memories of the past produce fleeting blueprints for structuring the present, and how a delicate stability is attained through the language and solidity of color, shape and light.

BIOGRAPHY

Antonietta Grassi has been committed to the practice of abstract painting for most of her career. Her paintings, which at first appear as hard-edged geometric abstractions, are composed of multi-layered, painted surfaces where the touch of the hand is paramount. Grassi paints layered, intuitively derived forms that are intersected by fine, thread-like lines—creating works where textile, architecture, and painting's twentieth century history collide. Through her nuanced and layered palette, she explores color and light to create perceptual spaces that are drawn from memory and imagination. Grassi's work is simultaneously mathematical and painterly, reflecting a process-driven approach that belies the organized compositions of the geometric forms prevalent in the works.

Grassi’s work has been featured in solo and group exhibitions at museums and galleries in Canada, the United States, and in Europe, including Muséé National des Beaux-Arts du Quebec; Museo Civico di Molise in Casacalende, Italy; Kunstwerk Calshutte in Budelsdorf, Germany; the Boston Center for the Arts, Trestle Gallery in New York; Manifest Gallery in Cincinnati, Ohio; the Bruce Lurie Gallery in Los Angeles; the McClure Gallery, Lilian Rodriguez, the Leonard and Bina Ellen Art Gallery and the Maison de la Culture Frontenac in Montreal. Her work is in numerous private, corporate, and public collections including the Musée National des Beaux-arts du Québec. 

Back To Top